Creatively Advancing into Novelty
This is the first section in Part 2 of my recent grad school design paper in which I explore two contemporary, post-capitalist movements that have much to offer our creative endeavor to imagine a new, ecologically sensitive design story. Degrowth and solarpunk are neither finished experiments nor cautionary tales but living, still-unfolding proposals, argued over…
This is the fourth section in Part 1 of my recent grad school design paper in which I explore four laboratories of non-capitalist and postsocialist design. Please find the preceding sections below if you’d like to catch up: Introduction Part 1a: The Designed Object as Comrade in Constructivist Russia Part 1b: Advertising as Cultural Strategy…
This is the third section in Part 1 of my recent grad school design paper in which I explore four laboratories of non-capitalist and postsocialist design. Please find the preceding sections below if you’d like to catch up: Introduction Part 1a: The Designed Object as Comrade in Constructivist Russia Part 1b: Advertising as Cultural Strategy…
This is Part 1b of my recent grad school design paper, the introduction can be read here. and Part 1a can be read here. … From 1918 to 1992 Yugoslavia improvised their very own “third way” type of economy. In 1948 Josip Broz Tito broke with Stalin and pulled Yugoslavia (which today is comprised of…
“Rodchenko names a new kind of emotionally affective object: the comradely object of socialist modernity. Unlike the commodities he encounters on his visit to capitalist Paris, which elicit a possessive relation that makes the objects into “slaves,” things made in the socialist East will actively promote egalitarian socialist culture. They will replace the pleasure of…
I recently turned in two projects for a grad school class called Emerging Media, which is a graduate seminar that focuses on emerging technological advancements as they relate to the Communication Design industry and design-related fields. Perhaps not surprisingly, one of the “emerging technologies” the instructor introduced the class to was generative AI and for…
“The choice, as James Cone insists, is that God must be Black; without that commitment, the universal story is not possible, because Whiteness fails to express solidarity with all – and God’s Blackness is about solidarity. For Cone, ‘The blackness of God means that God has made the oppressed condition, God’s own condition.’ Whiteness, instead,…
“The central theme in the prophecy of Joel, one of the 12 minor prophets (dōdekaprophēton), is that the Day of the Lord (yōm ădȏnay) is at hand (chs. 2–3). […] Joel utilizes the concept contextually for his contemporaries, using the locust swarms to point to the Day of the Lord as a day of both…
“Whisper whisper whisper.” –Anonymous ASMRtist old pond– frog jumps in. Plop! –Matsuo Bashô “In Whitehead’s analysis of an occasion of experience, the “category of transmutation” (PR 63) describes how the felt qualities of past events are fused into a new event with the consummatory satisfaction of an emergent pervasive aesthetic quality. […] Whitehead’s “satisfaction” is identified…
“Consciousness flickers; and even at its brightest, there is a small focal region of clear illumination, and a large penumbral region which tells of intense experience in dim apprehension.” –Whitehead, Process and Reality “An exemplar can exemplify only some of its properties. It brings those properties to the fore by marginalizing, downplaying, or ignoring other…